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Dániel Margócsy, Commercial Visions. Science, Trade, and Visual Culture in the Dutch Golden Age
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Presenting the Law: Text and Imagery on Dutch Ten Commandments Panels
Bestselling illustrations: Hendrik Conscience’s “Hoe men schilder wordt” (1843) and nineteenth-century popular visual culture ; Bestselling ‘beeldekens’. Hendrik Consciences “Hoe m...
Visible, Invisible: A Portrait of the Intersection Between Whiteness and Moroccanness in the Netherlands