1.

Upon the death of the truly valiant and magnanimous Sr. Christoph. Minns wounded at sea.

2.

Upon the death of the truly valiant and magnanimous Sr. Christoph. Minns wounded at sea.

3.

Upon the death of the truly valiant and magnanimous Sr. Christoph. Minns wounded at sea.

4.

Upon the death of the truly valiant and magnanimous Sr. Christoph. Minns wounded at sea.

1.

Die schöne litteratur Europa's in der neuesten zeit, dargestellt nach ihren bedeutendsten erscheinungen /

2.

Die schöne litteratur Europa's in der neuesten zeit, dargestellt nach ihren bedeutendsten erscheinungen /

3.

Die schöne litteratur Europa's in der neuesten zeit, dargestellt nach ihren bedeutendsten erscheinungen /

4.

Die schöne litteratur Europa's in der neuesten zeit, dargestellt nach ihren bedeutendsten erscheinungen /

1.

A curriculum in transition:TL/L1 use in Dutch EFL literature lessons

2.

A curriculum in transition:TL/L1 use in Dutch EFL literature lessons

3.

A curriculum in transition:TL/L1 use in Dutch EFL literature lessons

4.

A curriculum in transition:TL/L1 use in Dutch EFL literature lessons

1.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

2.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

3.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

4.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

5.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

6.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

7.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

8.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

9.

Conventional combinations in pockets of productivity ; Conventional combinations in pockets of productivity: English resultatives and Dutch ditransitives expressing excess

1.

Arqueologia urbana e o sismo de 1755. O contexto da Av. Luísa Todi 170-178, Setúbal. ; Urban archaeology and 1755 earthquake. The context of Av. Luísa Todi, 170-178, Setúbal

2.

Arqueologia urbana e o sismo de 1755. O contexto da Av. Luísa Todi 170-178, Setúbal. ; Urban archaeology and 1755 earthquake. The context of Av. Luísa Todi, 170-178, Setúbal

3.

Arqueologia urbana e o sismo de 1755. O contexto da Av. Luísa Todi 170-178, Setúbal. ; Urban archaeology and 1755 earthquake. The context of Av. Luísa Todi, 170-178, Setúbal

4.

Arqueologia urbana e o sismo de 1755. O contexto da Av. Luísa Todi 170-178, Setúbal. ; Urban archaeology and 1755 earthquake. The context of Av. Luísa Todi, 170-178, Setúbal

1.

Pastoral agreement, Consistories of New Paltz and New Hurly

2.

Pastoral agreement, Consistories of New Paltz and New Hurly

3.

Pastoral agreement, Consistories of New Paltz and New Hurly

4.

Pastoral agreement, Consistories of New Paltz and New Hurly

1.

Notes and Queries - volume 10, 3rd Series - Page 20

2.

Notes and Queries - volume 10, 3rd Series - Page 20

3.

Notes and Queries - volume 10, 3rd Series - Page 20

4.

Notes and Queries - volume 10, 3rd Series - Page 20

1.

Hymnology of the Reformed Dutch Church

2.

Hymnology of the Reformed Dutch Church

3.

Hymnology of the Reformed Dutch Church

4.

Hymnology of the Reformed Dutch Church

1.

John Taylor (Right) and Christopher Steel (Left) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

2.

John Taylor (Right) and Christopher Steel (Left) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

3.

John Taylor (Right) and Christopher Steel (Left) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

4.

John Taylor (Right) and Christopher Steel (Left) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

1.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

2.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

3.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

4.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

5.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

6.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

7.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

8.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...

9.

John Taylor (Left) and Christopher Steel (Right) in "Double Track," choreography by Beppie Blankert, music by Louis Andriessen, adapted from Samuel Beckett's "Text for Nothing #7,"...