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The true and the fake: archaeometric investigations on two Bronze Age solid-hilted swords from East Flanders (Belgium)
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On the use of the unusual green pigment Brochantite (Cu-4(SO4)(OH)(6)) in the 16th-century Portuguese-Flemish paintings attributed to the master Frei Carlos workshop
New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques