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On the use of the unusual green pigment Brochantite (Cu-4(SO4)(OH)(6)) in the 16th-century Portuguese-Flemish paintings attributed to the master Frei Carlos workshop
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New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques
A Painter in the Shadow: Unveiling Conservation, Materials and Techniques of the Unknown Luso-Flemish Master of Lourinhã
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A painter in the shadow ; Unveiling conservation, materials and techniques of the unknown luso-flemish master of lourinhã