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Fashion Matters: The ‘Glocal’ Mix of Dutch Fashion

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El gusto por la obra de Tiziano dentro de los círculos de poder en en el norte de España en la segunda mitad del siglo XVI. El ejemplo de los flamencos trabajando “a la italiana”:...

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L'art et la liberté

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Trompeuses séductions. La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique

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Muséographie(s) comparée(s) de la Grande Guerre en 2013. Allemagne – Belgique – France – Royaume-Uni

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La Chute d’Icare des Musées royaux des Beaux-Arts de Belgique réattribuée par l'examen de laboratoire

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The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ‘simultaneous contrast’...

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The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ‘simultaneous contrast’...

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The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ‘simultaneous contrast’...

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The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ‘simultaneous contrast’...

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The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ‘simultaneous contrast’...

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The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ‘simultaneous contrast’...

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The dark halo technique in the oeuvre of Michael Sweerts and other Flemish and Dutch baroque painters. A 17th c. empirical solution to mitigate the optical ‘simultaneous contrast’...

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The Girl in the Spotlight: Vermeer at work, his materials and techniques in Girl with a Pearl Earring

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Mais je ne suis pas un monument !

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Fine Arts Journal Letter to Friend