La représentation de la musique et de la danse dans les œuvres de Post et Wagner : une archéologie des musiques noires au Brésil
The relatively brief period of Dutch colonization in Pernambuco (1630-1654) corresponds to an exceptional documentary undertaking driven by Jean-Maurice de Nassau. Frans Janzsoon Post, responsible for the painting of landscapes, villages and their inhabitants, often represented Black drummers accompanied by a few dancers. Here, we attempt to define a recurrent motif in the corpus of these works, belonging to the Dutch Golden Age. A gouache from the adventurer Zacharias Wagner completes the collection. By comparing art history analysis concerning the place of music in contemporary Dutch paintin... Mehr ...
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Dokumenttyp: | Artikel |
Erscheinungsdatum: | 2014 |
Reihe/Periodikum: | Journal de la Société des Américanistes, Vol 100, Iss 1, Pp 69-100 (2014) |
Verlag/Hrsg.: |
Société des américanistes
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Schlagwörter: | historical ethnomusicology / Dutch colonization / Post (Frans Janzsoon) / Wagner (Zacharias) / musical iconography / History of Civilization / CB3-482 |
Sprache: | Englisch Spanish Französisch |
Permalink: | https://search.fid-benelux.de/Record/base-27404917 |
Datenquelle: | BASE; Originalkatalog |
Powered By: | BASE |
Link(s) : | https://doi.org/10.4000/jsa.13712 |